Showing posts with label The Kettle. Show all posts
Showing posts with label The Kettle. Show all posts

Thursday, June 22, 2017

Gathox Neighborhoods: The Kettle

Previously we took a look at the map for Berchan Favela, the oldest neighborhood in Gathox, but today I'd like to share with you the largest - a festering pit called The Kettle.

The Kettle


Much of the action and bustle of Gathox reveals itself in the daily thrum of the Kettle. Visitors enter through the low-lying Gate of Exploding Benevolence, first ascending a metal ramp supported by ten thousand muscular human legs grafted to the underside and then passing through the quintuple-arches of the Gate itself. Locals may pass into and out of Gathox through the Kettle by using the Tunnel of Punctuated Peace to the west or the Catwalk of Private Vicissitudes to the northeast.

Once inside, visitors are treated to a dizzying array of sights and spectacles in the central bazaar, The Dregs. In the mornings, the squealing of livestock in mid-slaughter mixes with the raspy calls of town criers as the scent of egg blood soup and Dew-on-Iron fill the air. Dead hangovers and the quiet aftermath of misbegotten nights render this the most peaceful time of day.

By mid-day, the streets clog with marketeers, sly-men, pickpockets, dancehall crashers, and representatives of Neighborhood Friendship Societies. The sewer gases heat and rise, mingling with the aroma of fresh fried meats and body odor. Supplicants of Sha-Benyu, resplendent in their neon pink robes and body paint, preach and beg for the glory of the God That Grows and Grows.

In the evenings, scummers smoke the narcotic huckleberry-like paste of the bakra root in recessed doorways while street barbecues rage into the wee hours. Green neon fumes tepidly billow out of dance halls, and the light of a thousand precariously stacked lilliputian apartments spills out into the streets and delicately illuminates the misty spires of Gathox’s dizzying heights.

Who Rules


Four Neighborhood Friendship Societies maintain a relatively stable balance of power in the Kettle: the highly successful Dohjaks, the conservative Huttimer, alien beings who call themselves Kermen, and fresh upstarts known as The Free Peoples Advancement. Each faction controls roughly a quarter of the Kettle, and all have agreed to settle territorial disputes through public ritual. While the occasional spat of gangland warfare may erupt, these well-established factions agree that, “Peace equals profits.”

The Dohjaks - The Dohjaks (“DOY-ox”) are an ethnically homogenous gang heralding from a distant homeworld long-forgotten by all but the most wizened and historically steeped members of their community. They have thoroughly entrenched themselves in the politics of the Kettle, and while their numbers are dwindling, they nonetheless wield considerable influence and economic might.

Dohjaks distinguish themselves visually with red and purple togas, silver close-toed sandals, and golden touques on their heads. Their speech is generally rapid and overly friendly, often to the point of inspiring discomfort. Their skin tones range from light brown to coal, and their eyes are generally golden.

The Huttimer - The Huttimer people are a conservative, insular group of religious sectarians who follow the pronouncements and instructions of the Gorman clan, whose progenitors wrote the (un)holy Gormanian Edicts.

They fashion their surroundings in a sturdy and plain manner, eschewing graven images. On the legitimate end they sell beer, butter, furniture, and sturdy working tools. Beneath this veneer of honesty and hard work lies a heavy truth: these are sacrificial sex cultists who readily trade the boons of their black rituals for steep piles of hard coin.

The Huttimer wear plain leather clothing punctuated with paisley patterns on cotton. The men wear their hair short with muttonchops or chin beards, while the women wear their hair pinned up in beehives. Their leader, always the eldest male Gorman, is called a Purveyor, and his wife is called The Unburdened.

The Kermen - Kermen business leaders have a saying: “A noble bid for freedom always begins with the loosening of purse strings.” These one-eyed, hyper-capitalist aliens cloak their base greed with a steady drumbeat of individualist poetry and sentiment. Despite their natural selfishness, they regularly fund some of the most ostentatious (if lacking in utility) public works and high-end designs in the Kettle.

Kermen fund themselves through venture capital, investment in factory production at the Temple of Toil manufacturing complex, and slave labor. They often contract hits on rival producers and will occasionally fund ‘grassroots’ mobs to bust up uncooperative marketplaces. They reward selfishness and greed, but always pay humans and mutants less than Kermen operatives. 9-piece suits and overly dramatic capes are the uniform of the elites; their CEO is often required to sport three capes atop a number of stacked blazers.

The Free Peoples Advancement - The FPA started as a labor movement of former factory slaves and outcast mutants, seeking mutual economic protection through solidarity. On the surface this still appears to be true - members speak the language of solidarity and wear the orange armband of the FPA over their working clothes. Beneath the surface, however, a triumvirate of elite families have taken over as silent owners, funding worker revolts in the Kettle to create easy market opportunities for wealthy interests from the Craw neighborhood.

FPA agents specialize in disguise and infiltration, often developing sleeper cells within other Neighborhood Friendship Societies. FPA members pay dues, which afford them a certain amount of protection as well as discounts among fellow FPA merchants. The X’xul, Mokron, and Gorgontula families (see p.xx) run the FPA from the Craw.


Friday, May 5, 2017

Chapter Fiction by Josh Wagner: Jackie Zhao, A Case Study

Today I'd like to take a different tack and share with you one of the five interrelated pieces of chapter fiction written by my friend, travel-seasoned author, and Gathox guinea pig, Josh Wagner.


JACKIE ZHAO (A Case Study)



His cough won't go away. It started eleven weeks ago with a tickle at the base of the throat, a dry palate, and a scratchiness under the tongue. Only mild coughing, no other symptoms. But it wouldn’t go away. Two weeks later he stopped by Kin's clinic on the sixth floor, sat for twenty minutes with a big view of the Kettle out her waiting room window. She called him in and blasted flood lights down his throat and told him everything looked normal. “You feel a fever you come back,” she said.

Jackie’s family lives at 349H on level 8, Quarter East. By coincidence he was born at 3:49am, which his mother always corrects his brother when he uses that word--coincidence. “It's a miracle,” she insists. “Jamie's little miracle.” But Jackie can no longer afford to believe in synchronicity. First he lost his last job over a misunderstanding. Now his health. What next?

He doesn't actually feel all that bad. Coughs like the devil first thing in the morning, but during the day his energy is high and his throat is fine. Jackie doesn’t drag himself out of bed until he gets so hungry he can't stand it. But once he's up and moving everything is back to normal.

A month after his visit to Kin, Jackie has a fit so intense it literally throws him out of bed. He runs to the bathroom sink and hacks until something comes up. A little thing he catches in his hand before it can vanish down the drain, just to look, just a need to see what's coming out of the body. Blood and phlegm, spotty and thick--but something else in there, too. Something black. Old blood from deep down maybe?

He drops it in a glass. A loud, clinking sound. He fills it a quarter with water and swishes and strains it and what's left over is like a flat, black plastic ring with a tab at one end. He's just wondering what the actual fuck when another fit takes him to his knees. His eyes are watering. He can't keep steady enough to get back to the sink so it all comes out on the peeling tile. A thick, yellow wad. And then more blood. It sprays forth from way back like his throat's a high pressure valve and someone just cracked it with a spike. When the stream stops there's a puddle big enough to make a handprint.

Jackie sifts through the bile and finds a dozen tiny machine parts: a metal pinion, a cog, and a rubber seal. The next day there's more of the same, along with plastic valves, sockets and wee springs. He washes them all off and puts them on a little shelf in the sunlight.

The coughing gets worse every day from then on. Hurts like hell. What’s nice is the fifteen minutes or so after things come up and out, when Jackie can feel a warmish kind of glow in his stomach. In these moments his breath comes easy and slow, like pure spring water filling his body with light, and always follows this sketchy vision in the head of some giant, writhing, interconnected structure of spiraling machinery far out in the desert. It makes him understand the whole city of Gathox is but a fragment in some vast and tangled system whose purpose, Jackie can tell, is to bind a bridge from the core of the planet to the power of the sun.

Jackie trades in a few old things he inherited from his mother for a small space in the Dregs. Here he sets up his table and covers it with the tiny machine parts hacked up over the previous three weeks, some too small to see without a magnifying lens. At first people buy them for the novelty. What adorable little trinkets, so precisely made, will you take five silver for this one? It doesn't cost Jackie anything but discomfort, so he lets them name their price. By the time they come back the following week to complain, he's already spent it all on shitty anti-starvation noodle machines.

“I put it under glass, the little spring,” a customer says. “Now it's gone. And my neighbor bought one of the pinions and she says that vanished too.”

Jackie explains he's not responsible for what's lost or stolen, but the old man tells him nothing's lost or stolen—he'd kept it safe and now it's gone. Besides, he's asked around and it's happened to everyone. Like these things are just evaporating into thin air.

There's a mob around Jackie now, mostly folks who didn't make a purchase but who want to make trouble. Then a girl rushes in screaming hallelujah. “It's a miracle,” she says, how their boiler started working again after being deemed hopelessly kaput by every mechanic in Huttimer territory, and her pops thinks it had to be the little cog he bought from Jackie. Set it on the old boiler because there was nowhere else to put it. Then it vanished. Then the AC coughed to life.

Of course everyone's skeptical at first, but Jamie clears out his stock to replace the parts that vanished for his customers. When they get home naturally they figure what could it hurt and they put them on some busted machine or other. And in no time at all every dead device is back up and running; Jackie's little miracles, they're saying. And business booms.

One morning, after a fit so severe it wipes him out for the rest of the day, Jackie has a dream. In the dream he's still coughing. Sitting on a couch on the rooftop sixteen flights above his apartment. Surrounded by pigeons and antennas, flora outgrowing their pots, raw materials for a bridge someone intends to build between this roof and the one next door. He's on the couch hacking away, in his dream, and he can feel something lodged in his throat, loosening with each gasp. Takes a deep breath and slams those lungs like a bellows and out comes a long nylon rope, whipping up into the clouds. Seems no end to it, but he can feel it unraveling somewhere in his chest. Now he's in the desert and the great structure from his vision is nearly complete. The people building it are like little turtle men, no higher than Jackie's knee, each one hunched under their hardshell backpacks. The rope still uncoils from within, flying toward the sun. The turtle men watch and sing, keeping the whole system in motion. Their song sounds like a choir of sneezes, hiccups, and wheezes. The rope has latched in some outer orbit and it’s pulling the planet up and into the sun. He panics and opens his eyes.

A few weeks later, Jackie's got the most popular shop in the Dregs. He can't cough shit out fast enough to keep up with the demand. Which on the one hand is great because it drives prices up and now Jackie's rolling in it, but of course he can't exactly force himself to produce any faster or train other people to do what he does, so every day is basically angry mobs all the time fighting for their place in line. He stops going down to the market at all, takes cash up front, and has pieces delivered to clients by bicycle until one of his kids gets bikejacked and Jackie upgrades to some muscle and an armored rickshaw.

He avoids doctors and medicine. Requires bodyguards of his own after threats from the local mechanics guild. Jackie’s sure they’re the ones that sent him anonymous envelopes dusted with dextromethorphan and various antihistamines. He's starting to get word from the top, or somewhere near the top, or the mystery that may or may not be something like a top at all, that a man with his skills could be useful in a starship reclamation project. But he's not interested. “I'm too sick to travel,” he says. “Half the day now I'm in bed.”

He’s still dreaming all the time. Now the planet hurtles toward the sun with Jackie at the helm; feels like his intestines ripping out through his face. He bites down on the rope to relieve the ache in his chest. The earth flies headlong into searing heat. The desert's mechanical gyro whirls and grinds. He sees Gathox way down under a tower of milling flywheels and pressurized valves and a complex network of coiling cable and pipework. The clans of turtle people rejoice. Jackie can't fathom it. What's to rejoice about when it’s all moments away from crisping up like Tol Zhanda’s secret recipe for fried spiders? He can feel the heat sucking moisture out of his skin. It's all over, he thinks. Wakey wakey. Time to shine. But he doesn't. He starts slipping between consciousnesses, either to wake up or never wake again in any form but ash. He feels the rope tighten and his legs leap of their own volition. Bounding as high as a wish, but doesn't come down. Dislodged from the surface of the earth. The centripetal force thrusts the planet outward far, far past the pull of the sun. Jackie floats in the void, watching the blue sphere soar away like a marble from a sling or an interstellar cruiser aimed for forever.

Jackie no longer leaves his home. Every morning the cough brings pain, then a flowering light.

His apartment is empty and dark. He keeps no machinery here. One rug, a small couch for clients and visitors, and an open window for his entertainment.

At night the wild shouts and flickering shadows from the Kettle lull him to sleep. But he startles himself awake whenever he can manage it. He no longer finds pleasure in dreams.